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   Ivory panel with the Miracle of Cana
Ivory panel with the Miracle of CanaLarger image
Ivory panel with the Miracle of Cana
Ivory panel with the Miracle of Cana
Ivory panel with the Miracle of Cana
Ivory panel with the Miracle of Cana
Ivory panel with the Miracle of Cana
  Larger image
© 2006 The British Museum

AD 860
Probably made in France
Found in Germany

This small panel once decorated the cover of a gospel book written and illustrated by the scribe, Liuthard, who worked for Charles the Bald; one of his miniatures shows the king himself, seated on a throne encrusted with jewels.

Length: 142 mm; Width: 83 mm
The British Museum PE MLA 1856,0623.20
British Museum: Ivory panel with the Miracle of Cana
Charles II ("the Bald") and the West Frankish Kingdom
Charles II ("the Bald") and the West Frankish Kingdom
Aquitaine and the South
Aquitaine and the South
Relics and religion
Relics and religion
Philip II of France and the Capetian Triumph
Philip II of France and the Capetian Triumph
Charles II ("the Bald") and the West Frankish Kingdom

Charles, a grandson of Charlemagne, inherited the western part of the Frankish empire in the Treaty of Verdun (AD 843) at a time of great instability. Viking raiders continued to ravage northern France, and disloyal nobles opposed him, particularly in Brittany and Aquitaine where his brother and nephew rose against him. Another brother, Louis the German, ruler of the eastern Frankish kingdom, invaded Aquitaine in 858 in an attempt to seize it for his son.

Charles was saved by the support of powerful churchmen like Hincmar of Reims. In the 860s his fortunes improved; he began to build fortifications against the Vikings, and recovered control of Aquitaine. In 875 his brother, Emperor Louis II, died and Pope John VIII offered the imperial crown to Charles. Like his grandfather, Charlemagne, he was crowned in Rome. The next two years until his death, however, were marred by warfare between Charles and the sons of Louis the German over imperial lands.

In spite of his difficulties, Charles the Bald revived some of the splendour of the Carolingian Renaissance at his court. He followed Charlemagne’s example, encouraging scholarship and book production. His close relationship with the Church, and his patronage of sacred works of art, enhanced his prestige as a ruler.

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© 2005 The British Museum