worldtimelines.org.uk
British Isles > Wales AD 1750-1900 The Industrial Age
Previous articlePrevious article||Next articleNext article
   Earthenware jug with transfer-printed caricature
Earthenware jug with transfer-printed caricatureLarger image
Earthenware jug with transfer-printed caricature
Earthenware jug with transfer-printed caricature
Trumpeter's head-dress and uniform
Trumpeter's head-dress and uniform
Stone frieze depicting the death of General Picton at Waterloo
Stone frieze depicting the death of General Picton at Waterloo
<i>The Surrender of the French at Fishguard</i>, oil painting by an unknown artist
<i>The Surrender of the French at Fishguard</i>, oil painting by an unknown artist
Earthenware jug with transfer-printed caricature
Earthenware jug with transfer-printed caricature
  Larger image
© 2006 The British Museum

About AD 1814
Made at Cambrian pottery, Swansea, Wales

This jug, with a caricature of Napoleon being toppled from his throne, is typical of humorous ceramics made during the Napoleonic Wars to lift people’s spirits and calm their fears in dangerous times.

Height: 160 mm
The British Museum PE MLA 1936,0511.1
Reactions to Napoleon
Reactions to Napoleon
British artists: Joseph Mallord William Turner (AD 1775-1851)
British artists: Joseph Mallord William Turner (AD 1775-1851)
Radical ideas and Nonconformity
Radical ideas and Nonconformity
Change on the land
Change on the land

Welsh iron
Welsh iron
The Rebecca Riots
The Rebecca Riots
Travellers in Carmarthenshire
Travellers in Carmarthenshire
The beginnings of the Industrial Revolution
The beginnings of the Industrial Revolution

The Drovers' Roads
The Drovers' Roads
Reactions to Napoleon

Following the French Revolution in AD 1789, General Napoleon Bonaparte (1769-1821) seized power in France. He then began a campaign to conquer Europe. Fear of a possible invasion by Napoleon produced a fierce patriotism in Wales. There was widespread support for the militia and volunteer units who trained energetically. In 1797 the last foreign force to land in Britain, the French Légion Noire, landed in Pembrokeshire. At first the Welsh militia retreated, but a force of 600 men was mustered and overcame the enemy. A contemporary description of the incident says that “when they [the French troops] were brought in as prisoners, the Military had great difficulty to prevent them [the volunteers] from putting them to death.”

Both sides in the Napoleonic Wars used visual propaganda to increase support for their cause. Napoleon commissioned artists such as Jacques Louis David to paint heroic portraits of him on a monumental scale. Napoleon used images such as these to promote the idea both on the Continent and in Britain, that he was an unstoppable military force. In reply to this the British produced many satirical cartoons poking fun at Napoleon, or ‘Boney’ as he was disparagingly called. After Napoleon’s defeat at the Battle of Waterloo and subsequent surrender, he was the butt of even more satirical jokes and caricatures.

Home | Index | Museums | Help | About | Contact Us | Access | Back to top
© 2005 The British Museum