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British Isles > England > Central England AD 1500-1750 Early modern
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   Silver waits badge
Silver waits badgeLarger image
Silver waits badge
Silver waits badge
Silver waits badge
Silver waits badge
Silver waits badge
  Larger image
© 2006 Leicester City Museums

Hallmarked for London 1695, with maker’s mark HO over 3 mallets in a shield
Leicester, Leicestershire, England

The badge is embossed with the borough arms of a cinquefoil (five-petalled flower) with ermine or fur tails and the words BURGUS LEICESTRIAE. Waits were trained musicians who served an apprenticeship. Each town had its own distinctive livery. Originally the waits played wind instruments, but later strings were also played and many waits could play more than one instrument.

Height: 155 mm; Width: 125 mm; Depth: 20 mm (max)
Leicester City Museums L.D15.1982
Elizabeth and Leicester
Elizabeth and Leicester
The Stuart elite
The Stuart elite
The Royalist capital
The Royalist capital
An English form of art
An English form of art

Women's work
Women's work
Waits and minstrels
Waits and minstrels
William Shakespeare (AD 1564-1616)
William Shakespeare (AD 1564-1616)
Waits and minstrels

Town Waits were originally guards or watchmen who also played music for the mayor on ceremonial occasions. The word ‘wait’ comes from the Anglo-Saxon wician, to watch. In the medieval period, waits were employed in castles and noble houses to pipe music at set hours, to change the guard, or to announce an arrival. From about the 15th century AD towns began to employ official waits to play at ceremonial feasts and processions. Sometimes the waits accompanied miracle plays and welcomed important visitors. In his Chronicles, Holinshed (about 1520-81) described Elizabeth I’s visit to Norwich in 1578, when the waits ‘cheerfully and melodiously welcomed her majesty’.

Leicester’s waits were first mentioned in 1499, when they were paid six shillings and eight pence (33p) for a performance. The town’s councillors were taxed to pay for them and wealthy citizens also contributed. The money was shared out among three musicians and an apprentice. The waits were given a livery (uniform) of tawny orange wool with a silver collar engraved with a cinquefoil (five-petalled flower) as their badge of office. Official status was important to distinguish them from common wandering minstrels, who fell foul of the law banning ‘rogues, vagabonds and sturdy beggars’ in Elizabeth I’s reign. Leicester’s waits, with many others, were disbanded in the 19th century under local government reforms.

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