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British Isles > England AD 1066-1500 Late medieval
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   Ivory triptych
Ivory triptychLarger image
Ivory triptych
Ivory triptych
Ivory triptych
Ivory triptych
Ivory triptych
  Larger image
© 2004 The British Museum

AD 1330-40
From England

These three panels (‘triptych’) are carved with scenes of the Coronation of the Virgin and the Crucifixion of Christ in the centre, and the Saints Peter, Paul, Stephen and Thomas Becket on the sides. The triptych also bears the arms of John de Grandisson, who became Bishop of Exeter in 1327. He was a man of education and taste who was responsible for many works at Exeter, including the building of the Cathedral nave.

Height: 238 mm; Width: 205 mm
The British Museum PE MLA 1861,0416.1
British Museum: Ivory triptych
<i>Opus anglicanum</i> (English embroidery)
Opus anglicanum (English embroidery)
Pilgrimage and crusade
Pilgrimage and crusade
The Church and artistic patronage
The Church and artistic patronage
The Wars of the Roses
The Wars of the Roses

The Magna Carta
The Magna Carta
The Church and artistic patronage

In the medieval period, the Christian Church was part of everyday life. Everyone was christened, married and buried by the Church and many aspects of their lives were governed by canon (religious) law and Church courts. Households paid a tithe (originally a tenth of what they produced or earned) to the Church to support it. Churches were decorated with rich furnishings by patrons (usually the local wealthy and noble families) as a way of praising God. Most of the artists and craftsmen of the period such as masons, sculptors, painters, metalworkers and makers of stained-glass, were employed on projects to enrich and beautify churches and cathedrals.

The visual arts were a very important means of spreading the message of Christianity. In the 12th century, a new style of architecture known as ‘Gothic’ arrived from France and was a potent means of stressing this message. Instead of the massive pillars and round arches of Norman buildings, Gothic churches had high walls pierced with delicate windows, pointed arches, spires and pinnacles that looked as though they were reaching up to heaven. Wall paintings and stained-glass told the stories of the bible to those who could not read.

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© 2005 The British Museum