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Asia > Western Asia AD 1250-1500 Later Islamic
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   Fairiburz comes before Kay Khusrau
Fairiburz comes before Kay KhusrauLarger image
Fairiburz comes before Kay Khusrau
Fairiburz comes before Kay Khusrau
Fairiburz comes before Kay Khusrau
Fairiburz comes before Kay Khusrau
Fairiburz comes before Kay Khusrau
  Larger image
© 2006 The British Museum

AD 1494

Gilan

This is a page from the ‘Big-head Shahnameh’, so-called because of the large heads on most of the figures. It shows the newly crowned Sasanian sultan Kay Khusrau and his rival Fariburz. Made for Sultan ‘Ali Mirza, governor of a Turkman court near the Caspian Sea, this Shahnameh is characteristic of provincial Turkman art.

The British Museum Asia 1992,0507.01
The Mamlucks
The Mamlucks
The Timurids
The Timurids
The Ilkhanids
The Ilkhanids
The Turkmans
The Turkmans
The Turkmans

The Aqqoyunlu or ‘White Sheep’ Turkmans (AD 1378-1508) dominated Central and Western Iran and Eastern Anatolia from the 1430s. The Qaraqoyunlu or ‘Black Sheep’ Turkmans (1380-1468) were their main rivals. The Turkmans had their court in Tabriz, where one of the few remaining Turkman buildings, the Blue Mosque, survives. In 1501 Tabriz was taken by Isma’il, the leader of the Safavids and Turkman lands came under Safavid control.

The main contribution of the Turkmans to art and architecture was their bold use of colour and designs which can be seen in the tilework on the dome of the Blue Mosque. Many illustrated manuscripts such as Shahnamehs (a king’s book of kings) were produced in provincial centres under Turkman control. Those made in Shiraz in southern Iran were sold in India and Turkey as well as in Iran. At the Turkman court at Tabriz, artists favoured intense colours and fine brushwork whereas artists at local courts used a simpler painting style. Although the Turkman court was very cosmopolitan, the style of painting practiced under the Turkmans depended on the more sophisticated model of Timurid painting from eastern Iran.

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© 2005 The British Museum