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Asia > South Asia AD 1-320
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   Gold reliquary decorated with the figure of the Buddha
Gold reliquary decorated with the figure of the BuddhaLarger image
Gold reliquary decorated with the figure of the Buddha
Gold reliquary decorated with the figure of the Buddha
Gold reliquary decorated with the figure of the Buddha
Gold reliquary decorated with the figure of the Buddha
Gold reliquary decorated with the figure of the Buddha
  Larger image
© 2006 The British Museum

AD 1-100
From stūpa 2 at Bimaran, Afghanistan

Although this reliquary was empty when discovered, an inscription on the stone container in which it was found states that it once contained relics of the Buddha. Reflecting the original contents, the exterior is decorated with Buddhas and Bodhisattvas. The materials – gold and red garnets – emphasise the precious nature of Buddha relics.

Height: 67 mm; Diameter: 60 mm
The British Museum Asia OA 1900,0209.1
British Museum: Gold reliquary decorated with the figure of the Buddha
Religion and the Royal Cult of Oesho
Religion and the Royal Cult of Oesho
Heracles in Asia
Heracles in Asia
Coins and kingship
Coins and kingship
Buddhism under Kushān rule
Buddhism under Kushān rule

The Buddha in symbols
The Buddha in symbols
The origin of the Buddha image
The origin of the Buddha image
The origin of the Buddha image

Toward the end of the 1st century AD the Buddha began to be represented in human form. The earliest Buddhas were once thought to have been made in made in northern Pakistan and Afghanistan and to have been created as a result of Greek and Roman influence. However although the Buddhas and Bodhisattvas (individuals who defer final Enlightenment so as to dedicate their lives to the welfare of all beings) of the north-west seem superficially western in appearance, the emergence of image-making can be attributed to developments in India itself.

The key factor in the creation of Buddha images was the religious practice known as the ‘remembrance of the Buddha’. This is a basic feature of all Buddhist meditation and involves reflection on the Buddha and his sublime qualities. This typically takes place at holy Buddhist places where relics and other sacred objects have been placed. The practice led to visualisations of the Buddha in meditation and eventually to permanent artistic representations of these experiences. This development was also encouraged by the emergence of images and image-worship in early Hinduism.

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© 2005 The British Museum