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Asia > Japan AD 300-600 Kofun
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   Pottery ritual sculpture (haniwa)
Pottery ritual sculpture (haniwa)Larger image
Pottery ritual sculpture (haniwa)
Pottery ritual sculpture (haniwa)
Pottery ritual sculpture (haniwa)
Pottery ritual sculpture (haniwa)
Pottery ritual sculpture (haniwa)
  Larger image
© 2006 The British Museum

AD 500-600
Japan

This tall sculpture depicts a woman with her hair swept up on top of her head. She wears a necklace of circular beads. These low-fired ceramics developed from simple cylinders, and this form is retained in the base. Her upraised arms (now lost) may have indicated a posture of symbolic defence.

Height: 550mm
The British Museum JA F2210
Ritual sculptures
Ritual sculptures
Ceremonial vessels
Ceremonial vessels
Burial mounds (kofun)
Burial mounds (kofun)
Early Japanese swords
Early Japanese swords
Ritual sculptures

The burial mounds of the Kofun period were often embellished with a large number of ceramic objects placed in the ground over their surface. Known in Japanese as haniwa, these objects first appeared in the central Kansai region (around present-day Kyoto and Osaka), and were usually simple cylinders, arranged in concentric circles, They were made by the same low-fired process as everyday ceramic items (haji). They are thought to have had their origins in the ceremonial stands for vessels holding offerings.

Their use in Kansai declined but a much greater variety came to be produced in the eastern Kantô region (around present-day Tokyo), including architectural structures, animals, military equipment and human figures. The common occurrence of armour suggests there was much fighting at this time.

One of the earliest histories of Japan, the Nihon shoki compiled in AD 720, tells us that the human figures were substitutes for human sacrifices – the live burial of attendants when an imperial family member died. However this is probably an attempt to prove parallels with Chinese culture. Instead the sculptures probably served as symbolic defenders of the deceased, or as resting places for the spirit.

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© 2005 The British Museum