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Asia > Japan AD 1615-1868 Edo
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   Turret clock on stand
Turret clock on standLarger image
Turret clock on stand
Turret clock on stand
Turret clock on stand
Turret clock on stand
Turret clock on stand
  Larger image
© 2006 The British Museum

AD 1700-1800
Japan

This 18th-century clock employs an early method of dealing with the varying lengths of time units in the Chinese system. At sunrise and sunset the two weights on the single foliot had to be re-positioned so that the hour-hand moved at a correspondingly different speed. The wooden stand with its inset design of irises is of a later date.

Height: 1380mm
The British Museum PE MLA 1958,1006.2165
Samurai authority
Samurai authority
The rise of townsman culture
The rise of townsman culture
Perfection of decorative arts
Perfection of decorative arts
Adaption of European technology
Adaption of European technology

<i>Bugaku</i> dance
Bugaku dance
Ceremonial weapons
Ceremonial weapons
Traditional dress
Traditional dress
Domestic decorative arts
Domestic decorative arts

Adaption of European technology

The Dutch merchants who traded with Japan via Nagasaki throughout the Edo period brought with them objects which used European technology. While there was a group of dedicated scholars who studied these for their scientific benefits, there was often more of a preoccupation with their novelty value and potential to provide lucrative entertainment.

Enterprising operators of side-shows copied the designs of foreign machines and charged people to view their operation. A variety of optical devices were also popular; for instance a viewing mechanism for prints, with lens, mirror, and eyepiece, which created a much more intense visual experience. Prints were designed especially for them, with both domestic and fanciful foreign views.

The clockwork mechanism was introduced to Japan in the 16th century, and came to replace older methods using candles, water or the sun. It was adapted to local time measurement, and clocks gradually became accessible to ordinary people. The system in use (adopted from China) had twelve segments named for the calendrical animals, six for day and six for night. These segments varied in length depending on the season, and several means were developed to compensate for this variation.

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© 2005 The British Museum