Painting during the Momoyama period was distinguished by its secular rather than religious subjects. There was also less preoccupation with models from the Asian continent, and a renewal of interest in native themes. As towns and cities grew in size, demand increased among patrons for paintings showing popular life and crowd scenes, known today as 'genre paintings.' These were typical of painting of this period, employing bright pigments and large areas of gold leaf.

Among the earliest types were screens showing a bird’s-eye view of the capital, Kyoto, with the famous sites, daily activities and festivals of various neighbourhoods. A number of screens portray the Portuguese who plied their trade between mainland Asia and Japan. Often, the left screen shows their approach to Nagasaki harbour and the unloading of cargo, and the right has the procession of captains and friars to a converted Christian chapel.

Other screens showed events in particular seasons: merry-making under the cherry blossom in spring or viewing maple leaves in autumn, and shrine festivals with their processions and costumes. These outdoor scenes provided an opportunity to show people from all classes and walks of life, often sporting the latest fashions. Genre screens of interior scenes created a more intimate atmosphere, sometimes suggesting the activities of courtesans in the pleasure quarters.