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Asia > Japan AD 1185-1333 Kamakura
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   Wooden figure of the Buddha Amida
Wooden figure of the Buddha AmidaLarger image
Wooden figure of the Buddha Amida
Wooden figure of the Buddha Amida
Wooden figure of the Buddha Amida
Wooden figure of the Buddha Amida
Wooden figure of the Buddha Amida
  Larger image
© 2006 The British Museum

AD 1200-1300
Japan

The hand gestures (mudra) of Amida welcome the believer into the Pure Land: the right says 'Fear not' and the left grants wishes. This figure displays the naturalistic treatment of garment folds characteristic of Kamakura-period sculpture. It was constructed in the yosegi-zukuri method, using separate blocks of wood, and the eyes are crystal pieces inserted from inside.

Height: 960mm
The British Museum Asia JA 1945, 0419.1
The revival of Japanese Buddhist arts
The revival of Japanese Buddhist arts
New Buddhist sects
New Buddhist sects
The art of the sword
The art of the sword
Establishment of the shogunate
Establishment of the shogunate
New Buddhist sects

During the 13th century AD, simpler forms of Buddhist worship were made accessible to common people and warriors by itinerant monks. These were a development from the Heian-period worship of Amida Buddha and the hope for rebirth in his western paradise, the Pure Land. According to Buddhist scripture, around 1052 the world had entered the Age of Degenerate Law (mappô), a period of conflict when Buddhist teachings were no longer followed. The hardship and suffering of the civil wars of the 1180s seemed to confirm this. Individual acts, such as meditation and chanting sutras, could no longer attain salvation for the worshipper.

The Jôdô, or Pure Land, sect was founded by Hônen (1133-1212), who emphasised salvation based on faith in Amida and the use of the nembutsu. This involved chanting the words ‘Namu Amida butsu’ (Praise to Amida Buddha’). Shinran (1173-1263) preached that one need not even have faith; a single utterance of the nembutsu would ensure salvation. Finally, the wandering priest Ippen (1239-89) proselytised (converted people) widely, promoting the nembutsu odori, a dance performed to the rhythm of the chant. Illustrated biographies were produced in handscroll format by followers of these men. New forms of painting showing Amida’s descent to greet the dying (raigô) also appeared.

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© 2005 The British Museum