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Africa > The Nile Valley AD 1800-2000 Modern
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   Cotton tunic with appliqué panels (jubba)
Cotton tunic with appliqué panels (<i>jubba</i>)Larger image
Cotton tunic with appliqué panels (<i>jubba</i>)
Cotton tunic with appliqué panels (<i>jubba</i>)
Cotton tunic with appliqué panels (<i>jubba</i>)
Cotton tunic with appliqué panels (<i>jubba</i>)
Cotton tunic with appliqué panels (<i>jubba</i>)
  Larger image
© 2006 The British Museum

AD 1800-1900
Northern Sudan, Africa

The elaborateness of this jubba shows that what began as a dutiful sign of austerity in the muraqqa’a developed into a highly stylised art form. The basic material was made of hand-spun and hand-woven cotton. The jubba has pockets on the front and back which has developed as a result of the Mahdist warriors turning their dirty jubbas back to front.

Length: 840 mm; Width: 1300 mm
The British Museum AOA 1909,0315.3
British Museum: Cotton tunic
Mahdi Sudan
Mahdi Sudan
Kitchener and the Anglo-Egyptian Condominium
Kitchener and the Anglo-Egyptian Condominium
Art and social commentary
Art and social commentary
Modern Arabic calligraphy
Modern Arabic calligraphy

Funerals
Funerals
Weddings
Weddings
Mahdi Sudan

Mohammed Ali, the Ottoman (Turkish) viceroy of Egypt, sent an invading force to Sudan in July AD 1820 and seized power the following year. During Muhammad Ali’s rule and that of his successor, the Khedive Ismail, the people living in western and southern Sudan were decimated in a merciless campaign for slaves and ivory.

By the later 19th century there was escalating unrest. In 1881 a religious leader Muhammed Ahmad pronounced himself the Mahdi (divinely guided one). By 1885 he had united the Muslim people of northern Sudan, defeated the Ottoman-Egyptian government in Khartoum and created a Mahdist state. Although the Mahdi died shortly afterwards, the Mahdist state lasted 13 years.

The Mahdi was a puritanical reformer. His original supporters, the darawish, were religious men who wore tattered and patched garments called muraqqa'a (which for centuries had been the dress of Sufi initiates). The patchwork tradition of the muraqqa’a was continued more elaborately in the decorative appliquéd coloured patches of a later version of it known as the jubba. The military nature of the Mahdi’s jihad war dictated the design of the jubba on a practical level as it was a short garment that allowed soldiers flexibility of movement.

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© 2005 The British Museum